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2D 書道 | イラスト | デッサン | グラフィックス | 絵画 | 写真 | 版画
3D 建築 | 彫刻・立体 | 工芸品 | ファッション | 家具 | インスタレーション | プロダクト | 陶芸
etc 映画 | デジタル | インスタレーション | パーティー | トーク | パフォーマンス | 一般公募展
東京 武蔵野・多摩のアートイベント
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2D: Painting35.675831,139.3398363F Murauchi Furniture Access Hachioji, 787 Sanyumachi, Hachioji-shi, Tokyo 192-0012Murauchi Art Museum holds western paintings with an emphasis on works by the Barbizon painters in the 19th century. Works of Impressionist painters and modern artists are also contained in the collection. [Image: Jean-François Millet "Antoinette Hebert looking herself in the Mirror" (1844-45) Oil on canvas 98.0 x 78.0cm]
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2D: Painting35.700698,139.5826371-8-1 Kichijoji Honcho, Musashino-shi, Tokyo 180-0004Two fresh, bold works by the cutting-edge artist Taro Izumi that express the relationship between eyeglasses and vision from new points of view are displayed on the second floor of Jins Kichijoji Daiyagai, a gallery brimming with concepts and ideas that only Jins could come up with. [Image: Taro Izumi “Wink Lion” (2013) crayon on paper and wood panel 83.5×153.7 cm]
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2D: Illustration35.692522,139.574347The West Park of Inokashira Park, 1-1-83 Shimorenjaku, Mitaka-shi, Tokyo 181-0013*Ghibli Museum will be open from September 5. *By appointment only. (Please visit official website for the details.) Over 20 years have passed since the planning of the Ghibli Museum, Mitaka, which opened to the public in October 2001. This exhibition will introduce the work behind the museum’s creation with pictures and texts by director Hayao Miyazaki himself. The first room of this special exhibition showcases past special exhibitions that Miyazaki was involved in, starting with the first special exhibition “Spirited Away.” How was the film’s proposal, which the director has poured his heart into in-between production, created? What were the thoughts behind the modifications made for getting closer to what he aimed to convey? Such development process and embedded thoughts will be presented. The second room tells the story of how the animation production company Studio Ghibli decided to create a museum through illustrations of image boards depicting the various ideas of how it should look. In addition, the blueprint with Miyazaki’s last-minute changes penned into the design will be on display for the first time. Moreover, visitors may compare the Museum’s conceptual image boards with a three dimensional model that shows concisely each level of the completed Ghibli Museum. At the gallery on the second floor, illustrations drawn for the exhibition featuring the museum short films will be on display. Here, visitors can also get a sense of being on board the children’s favorite Baby Cat Bus. ( 2019-11-16 ～ 2021-05-16 )
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2D: Painting35.657661,139.5903691-25-1 Sengawa-cho, Chofu-shi, Tokyo 182-0002( 2021-01-09 ～ 2021-06-20 )
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2D: Painting35.699111,139.4150941F The Tama Shinkin Bank Honten, 3-4 Midori-cho, Tachikawa-shi, Tokyo 190-8681This exhibition looks at artworks from the Tama region since 1974 and new pieces up through 2020. ( 2020-11-28 ～ 2021-04-18 )
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2D: Painting35.711997,139.5141643-7-1 Sakuracho, Koganei-shi, Tokyo (inside Koganei Park) 184-0005*Edo-Tokyo Open Air Architectural Museum is temporarily closed until April 21(Wed). Since the Edo period, public bathhouses have been centers of rest and relaxation, and have evolved throughout the ages. The Public Bathhouse “Kodakara-yu” (1929) was relocated from Senju Motomachi in Adachi Ward for preservation at the Edo-Tokyo Open Air Architectural Museum. Kodakara-yu’s lively décor and temple-like appearance makes it a definitive example of the “Tokyo-style bathhouse.” Kodakara-yu abounds with flourishes to put bath-goers at ease, such as the veranda and garden outside the dressing rooms, the charming painted tiles, and its classic mural of Mt. Fuji. As Japan continues to change, seeing the end of the Heisei Era and the start of the Reiwa Era, and the number of bathhouses dwindle, those that remain offer people warmth, hope and a sense of community. This public bathhouse exhibition explores the history of public bathhouses in Tokyo, and the impact and role they have played in society. Part 1: 2020/6/2-9/27 Part 2: 2020/10/24-2021/1/31 Part 3: 2021/4/22-5/30 ( 2020-06-02 ～ 2021-05-30 )
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2D: Painting35.647753,139.5445252-33-1 Kojima-cho, Chofu-shi, Tokyo 182-0026Retired Chofu elementary school teacher Heiichi Nakagawa continues to paint places around the city. He can often be seen painting well-known sites and sometimes appears on TV. This exhibition introduces around 100 of his vibrant works, categorized as “Places that Have Changed with Urban Development,” “Places of Respite for Citizens,” and “Chofu History and Culture.” Take this opportunity to reflect on memories while comparing the present Chofu with the one depicted in Nakagawa’s works. ( 2021-03-13 ～ 2021-05-09 )
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2D: Photography35.695422,139.66625-18-20 Chuo, Nakano-ku, Tokyo 164-0011( 2021-04-02 ～ 2021-04-24 )
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2D: Manga35.704214,139.6549692-25-4 Koenji-kita, Suginami-ku, Tokyo 166-0002Color illustrations and replicas of works by the manga artist Jushichi Masumura ( 2021-03-30 ～ 2021-04-11 )
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2D: Painting35.725348,139.6084754-7-2 Shimo Shakujii, Nerima-ku, Tokyo 177-0042Chihiro Iwasaki was an artist who made it her life’s work to create drawings of children. She believed in the great potential children had for the future and her works seem to carry the message that a peaceful life with children is the most precious thing in the entire world. Her words,“Wishing peace and happiness for all the children of the world,” strongly resonate with us even today, especially during these difficult times of challenges and uncertainty. This exhibition will show her works and words focusing on presenting the truly precious and enriching aspects of our lives. ( 2021-03-16 ～ 2021-06-13 )
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2D: Painting35.700444,139.601308102 Shoei Bldg.2, 3-35-19, Shoan, Suginami-ku, Tokyo 167-0054( 2021-04-02 ～ 2021-04-11 )
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2D: Painting35.607761,139.3529032-1723 Yarimizu, Hachioji-shi, Tokyo 192-0394The Nihonga (Japanese Painting) division of Tama Art University began as one of the three pillars―the others were Western Painting, and Design & Craft―of the Art and Design Department of the Teikoku Art School. Founded in 1929, it was the predecessor of Tama Teikoku Art School, opened in 1935, weaving a historic thread of 92 years of Nihonga at Tama Art University. Matazo Kayama was appointed to the university in 1963, and Misao Yokoyama, two years later. These two unique and gifted artists joined forces, infusing their teaching with new concepts not bound by the conventions and traditions of Nihonga that had existed since the Meiji period. Education in Nihonga was based on their ideals, and produced many talented artists. Since then, the spirit of Kayama and Yokoyama has been handed down, cultivating a wide variety of artists by respecting various forms of expression that originated in the Nihonga tradition. In this exhibition, Matazo Kayama and Misao Yokoyama are regarded as the standard-bearers of “contemporary Nihonga” and positioned as originators of the revival of Nihonga education at the university. Thus, by exhibiting the works of 89 artists, the exhibition bears witness to how students under the tutelage of Kayama and Yokoyama passed on their ideals to the following generations up to the present day. Venue: Tama Art University Museum, Tama Art University Art-Theque Gallery ( 2021-04-03 ～ 2021-05-07 )
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2D: Painting35.703357,139.672183#101 Maison Kobayashi, 5-30-16 Nakano, Nakano-ku, Tokyo 164-0001Mono.Logues, an alternative art space, opened last November in an apartment in a quiet residential area close to Nakano Station in Tokyo. Reina Mikame is a painter with a strong obsession with human perception, and her consistent research theme is light. In this exhibition, she takes on the challenge to pursue the theme of “heat.” She has set herself the task of repeating the daily discipline of sketching and drawing, creating a density of emotion and reflecting it in her works through her paintbrush. This attitude reveals her sincere pursuit of “perception” that cannot be easily defined in words. ( 2021-04-02 ～ 2021-04-26 )
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2D: Graphics35.725348,139.6084754-7-2 Shimo Shakujii, Nerima-ku, Tokyo 177-0042“Oshiire no Bouken” (Adventure in a Closet) is an ambitious picture book created by the writer, artist, and editor working together as one. It became a million-seller with over 2.3 million copies sold since its publication in 1974 and is still extremely popular with children today. This exhibit will look back on the artworks by Seiichi Tabata, who passed away in 2020 at the age of 89, showcasing the original picture book illustrations of “Oshiire no Bouken” (Adventure in a Closet) and the original artworks and reference materials for “Sakura” (Cherry Blossom), a book for the Japan-China-Korea Peace Picture Book Project. Special focus will be placed on picture book production methods employed by Tabata, who wanted nothing more than to create picture books that captivated the hearts of children. ( 2021-03-16 ～ 2021-06-13 )
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2D: Painting35.703906,139.6046861F Twin Heitz, 3-42-17 Nishiogikita, Suginami-ku, Tokyo 167-0042( 2021-04-03 ～ 2021-04-11 )
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2D: Illustration35.700583,139.414608W3 GREEN SPRINGS, 3-1 Midori-cho, Tachikawa-shi, Tokyo 190-0014This exhibition spotlights “Guri to Gura,” the best-selling children’s book series by sisters Rieko Nakagawa and Yuriko Yamawaki about orange twin mice and their adventures cooking and eating. *The period of the exhibition is unconfirmed and so the final date on TAB is only a temporary guideline. ( 2021-04-10 ～ 2022-03-31 )
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2D: Nihonga35.657286,139.3340192F View Tower Hachiouji, 8-1 Youkamachi, Hachioji-shi, Tokyo 192-0071Exhibited works by Hokusai include landscapes such as “The Great Wave Off Kanagawa” from “Thirty-six Views of Mt. Fuji,” as well as his “Hokusai Manga” series, early actor prints, Western-style works, and hand-painted works. The French painter Henri Rivière (1864–1951), who was heavily influenced by Hokusai and produced homages to him such as “Thirty-six Views of the Eiffel Tower,” is also introduced. ( 2021-04-09 ～ 2021-06-06 )
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2D: Painting35.697781,139.4815171F, 4-12-4 Honcho, Kokubunji-shi, Tokyo 185-0012( 2021-04-04 ～ 2021-04-28 )
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2D: Prints35.701786,139.5822677F FF Bldg., 1-8-16 Kichijoji Honcho, Musashino-shi, Tokyo 180-0004Abstract prints by Hideo Hagiwara ( 2021-03-04 ～ 2021-05-30 )
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2D: Illustration35.733797,139.6393221-36-16 Nukui, Nerima-ku, Tokyo 176-0021Often derided from an aesthetic standpoint, electric cables block our views of clear blue skies. However, they also have nostalgic value as a familiar part of our cities and sceneries. This exhibition looks at the roles and artistic representations of electricity poles from the early Meiji period through the present. In the paintings of Kiyochika Kobayashi, they appear front and center as a symbol of civilization. They are evidence of Tokyo’s expansion in the works of Ryusei Kishida and the modernization of cities in paintings by Gentaro Koito. Kanemon Asai, known as “Mr. Electricity Pole Landscape” depicts them with a touch of the surreal. This show is a chance to revisit urban modernization and Tokyo from a new perspective through the lens of electric cables and electricity poles. ( 2021-02-28 ～ 2021-04-18 )
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3D: Sculpture35.69395,139.5648224-15-2-101 Shimorenjaku, Mitaka-shi, Tokyo 181-0013( 2021-04-10 ～ 2021-04-25 )
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2D: Painting35.722986,139.4500421-736 Ogawacho, Kodaira-shi, Tokyo 187-8505Toshihiro Katayama (1928 – 2013), having played a leading role in the creation of postwar Japanese design, later sought bases overseas, moving to Switzerland and then the United States. This exhibition is the first opportunity to present a comprehensive view of Katayama, his work in design, painting, sculpture, three-dimensional works in huge architectural spaces, all unconstrained by the defining frameworks of specific domains. ( 2021-04-05 ～ 2021-06-20 )
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2D: Illustration35.700583,139.414608W3 GREEN SPRINGS, 3-1 Midori-cho, Tachikawa-shi, Tokyo 190-0014Featuring some 200 original illustrations by the award-winning picture book artist Komako Sakai, known for illustrating titles such as “The Velveteen Rabbit.” Sakai’s work is explored through the key words of “secrets,” “fields,” “darkness,” and “children.” Video and sound installations recreate the area surrounding her mountain atelier, while toys and objects from Sakai’s childhood offer a further glimpse into her world. Poster and book design in by cozfish. The exhibition will also be held at the Yokosuka Museum of Art in the summer of 2021. ( 2021-04-10 ～ 2021-07-04 )
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3D: Architecture35.677817,139.5412832-2-8 Osawa, Mitaka-shi, Tokyo 181-0015Reversible Destiny Lofts Mitaka, known for its striking architecture, is holding open house tours on the following dates. Dates: April 10, 11 11:00-/14:00- Duration: 1.5 hours Adults ¥2800, High School, Junior High School, Elementary School Students ¥1000 *Please visit official website for reservations and more information. ( 2021-04-10 ～ 2021-04-11 )
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2D: Illustration35.702449,139.5634262F, 1-10-3 Naka-cho, Musashino-shi, Tokyo 180-0006( 2021-03-31 ～ 2021-04-11 )
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2D: Painting35.701283,139.5806222-2-10 Kichijoji-Honcho, Musashino-shi, Tokyo 180-0004( 2021-04-08 ～ 2021-04-20 )
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2D: Painting35.701786,139.5822677F FF Bldg., 1-8-16 Kichijoji Honcho, Musashino-shi, Tokyo 180-0004Mitsuo Tani is interested in “landscapes” defined as the front and back and inside and outside of things. Fifty of his works including paintings and silkscreens are on display. ( 2021-04-10 ～ 2021-05-30 )
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2D: Painting35.722986,139.4500421-736 Ogawacho, Kodaira-shi, Tokyo 187-8505Projects by artists who are driving forces in contemporary sculptures: Shigeo Toya, Katsura Funakoshi, Makoto Ito, Noe Aoki, Atsuhiko Misawa, Yasuyuki Nishio, Koji Tanada, Yoshihiro Suda, Motohiko Odani, Teppei Kaneuji, and Sachi Hasegawa. Through the omni-directionality of the sculptures resulting from these eleven sculptors having their own distinctive vectors, and the layout by Hiroshi Sugito, the exhibition space as a single expressive unit indicates new possibilities in sculpture. ( 2021-04-05 ～ 2021-06-20 )
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2D: Photography35.689413,139.6836572-4-7 Honcho, Nakano-ku, Tokyo 164-8678Shadai Gallery holds a collection of some 900 vintage prints by photographer Moriyama Daido from the 1960s and 1970s. ( 2021-03-22 ～ 2021-05-31 )
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2D: Nihonga35.620272,139.4314831-33-1 Ochiai, Tama-shi, Tokyo 206-0033The Nihonga (Japanese Painting) division of Tama Art University began as one of the three pillars―the others were Western Painting, and Design & Craft―of the Art and Design Department of the Teikoku Art School. Founded in 1929, it was the predecessor of Tama Teikoku Art School, opened in 1935, weaving a historic thread of 92 years of Nihonga at Tama Art University. Matazo Kayama was appointed to the university in 1963, and Misao Yokoyama, two years later. These two unique and gifted artists joined forces, infusing their teaching with new concepts not bound by the conventions and traditions of Nihonga that had existed since the Meiji period. Education in Nihonga was based on their ideals, and produced many talented artists. Since then, the spirit of Kayama and Yokoyama has been handed down, and we have cultivated a wide variety of artists by respecting various forms of expression that originated in the Nihonga tradition. In this exhibition, Matazo Kayama and Misao Yokoyama are regarded as the standard-bearers of “contemporary Nihonga” and positioned as originators of the revival of Nihonga education at the university. Thus, by exhibiting the works of 89 artists, the exhibition bears witness to how students under the tutelage of Kayama and Yokoyama passed on their ideals to the following generations up to the present day. Venue: Tama Art University Museum, Tama Art University Art-Theque Gallery ( 2021-04-03 ～ 2021-06-20 )
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2D: Painting35.68777,139.4435782-22-33 Naka, Kunitachi-shi, Tokyo 186-0004Exhibiting work by curator Kosuke Yamawaki and four other artists. ( 2021-03-20 ～ 2021-04-24 )
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2D: Painting35.702373,139.6901671F Ueno-so, 1-46-20 Higashi Nakano, Nakano-ku, Tokyo 164-0003Kei Yamazaki works mainly in oil paintings, prints, and drawings. These works are inspired by a new sense of distance from society resulting from limitations on movement due to the coronavirus. ( 2021-03-31 ～ 2021-04-10 )
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3D: Sculpture35.711202,139.6777673-15-2 Kamitakada, Nakano-ku, Tokyo 164-0002( 2021-04-08 ～ 2021-04-25 )
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2D: Painting35.705086,139.6393641-31-2 Asagaya Kita, Suginami-ku, Tokyo 166-0001Shogo Watanabe works with a variety of materials such as acrylics, wood pieces, and tape in portraits of characters revealing the inner child. ( 2021-04-09 ～ 2021-05-02 )
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2D: Prints35.701786,139.5822677F FF Bldg., 1-8-16 Kichijoji Honcho, Musashino-shi, Tokyo 180-0004Monochrome prints by Yozo Hamaguchi and silkscreens by Mitsuo Tani. ( 2021-03-04 ～ 2021-05-30 )
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2D: Nihonga35.675483,139.4952561-3 Sengen-cho, Fuchu-shi, Tokyo 183-0001This exhibition introduces the work of Edo period poet Buson Yosa, who was also a popular painter. The exhibition is divided into two periods with changes in content exhibited. First period: 3/13 (Sat) - 4/11 (Sun) Second period: 4/13 (Tue) - 5/9 (Sun) ( 2021-03-13 ～ 2021-05-09 )
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2D: Painting35.705375,139.6530942-38-15 Koenjikita, Suginami-ku, Tokyo 166-0002The second issue of Iwakan explores the theme of “love” not confined to societal rules or the gender binary. Artworks featured in the magazine by artists from around the world are on display. ( 2021-03-26 ～ 2021-04-11 )
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2D: Graphics35.714482,139.6761475-47-8 Kami Takada, Nakano-ku, Tokyo 164-0002Kiyoshi Awazu is a leading postwar Japanese graphic designer. The motifs of this exhibition, sea turtles and the hands of angels, symbolize “self-reliance” and “independence.” ( 2021-03-24 ～ 2021-04-17 )
